Available Wood Index

Morph XIV

Morph XIV

Morph XIV takes elements from my previous works and becomes a cantilevered, curl-over wood sculpture, as well as a mobius. Unbeknownst to me at the time, it would be part of my inspiration for one of my future glass sculptures, Ode to Morph.

Morph XIV : 1′-4″ h, 10″ w, 6″ d | Black Cherry | Inquire.

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Oceania

Oceania

Oceania: The creative process for this turned and sculpted piece was, not surprisingly, multi-stepped. I began by turning the rough exterior contour on a lathe and then drilling a 1 ¼” diameter hole into the top center.

Oceania | 5″ h, 8″ diameter | Bark-edge Maple Burl | Inquire.

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Chocolate Twist II

Chocolate Twist II

Chocolate Twist II : The sense of drama in Chocolate Twist II comes from the contrast between the light colored sapwood and the older, darker interior of the tree.

Chocolate Twist II | 8″ h, 13″ diameter | Spalted Black Walnut | Inquire.

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Chocolate Twist

Chocolate Twist

Chocolate Twist : The execution of Chocolate Twist and Chocolate Twist II proved an immense challenge. How to get inside and around and then sand it? Well, I don’t advise trying this at home.

Chocolate Twist | 9″ h, 12″ diameter | Spalted Black Walnut | Inquire.

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Charybdis

Charybdis

My first glimpse of what would become Charybdis was a tree twisted unlike any I had ever seen. I figured its contorted mass resulted from a tornado strike when it was just a sapling. It sported double back curves that are my stock in trade, and I very badly wanted to sculpt into it for its color and grain features.

Charybdis | 5′-2″ h, 2′-3″ w, 1′-6″ d | Osage Orange | Inquire.

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Morph VII

Morph VII

Slender, open front curl and up-swept spire makes a real statement for the size of this Black Cherry wood sculpture. I borrowed some lines from two previous sculptures in the Morph Series…but since it’s my work, I do not feel guilty of plagiarism. You decide.

Morph VII | 1’- 2” h, 7” w, 5”d | Black Cherry | Inquire.

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Moab

Moab

Moab : The more figured a piece of wood is, the simpler the design should be. The two should not be in conflict.

Moab | 2′-0″ h, 1′-4″ w, 10″ d | Bay Laurel Burl | Inquire.

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Infinity Rising

Infinity Rising

Infinity Rising : My design intent for this highly figured redwood sculpture was to strike a good balance between positive and negative space. To capture its figurative elements and impart a sense of organic life.

Infinity Rising | 1′-10″ h, 1′-1″ w, 10″ d | Distressed Curly Redwood | Inquire.

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Morph VI

Morph VI

Morph VI : The lines, movement and proportions just worked so well together. This was another difficult piece to visualize and execute. A real fun challenge.

Morph VI | 1’- 4” h, 10” w, 6” d | Black Cherry | Inquire.

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Morph II

Morph II

Experimentation and not being afraid to take risks are key to pushing the bounds. Like in my windshake walnut wood sculpture, standing horizontal or vertical, provided risky trajectory challenges to “meet in the middle.”

Morph II | Vertical: 1′-6″ h, 1′-2″ w, 9″ d | Horizontal: 1′-2″ h, 1′-6″ w, 9″ d | Inquire.

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Split Personality

Split Personality

Split Personality : Comes from the same incredible red cedar as did First Born and Passages Into the Void.

Split Personality | 1′-8″ h, 8″diameter | Aromatic Red Cedar | Inquire.

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Monument Mesa

Monument Mesa

Monument Mesa : It was a lot of fun for me working this piece – taking the natural formation and imparting sweeping undulations in opposition.

Monument Mesa | 2′-0″ h, 2′-2″ w, 1′-7″d | American Black Walnut | Inquire.

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Womb with a View

Womb with a View

Womb with a View : Evolved from a unique mass of wood that had been in my inventory for many years awaiting the right moment.

Womb with a View | 1′-8″ h, 1′-3″ w, 1′-0″ d | Spalted Maple | Inquire.

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Passages into the Void

Passages into the Void

Passages into the Void : When most artists talk about partnering with the work, this is what they mean. And this piece reminds me of that other dimension or realm. There are endless access points or routes to get from the outside to the inside or from one side to the other.

Passages into the Void | 4′-3″ h, 1′-2″ w, 1′-2″ d | Aromatic Red Cedar | Inquire.

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Vanilla Sky

Vanilla Sky

Vanilla Sky : The color variations in this piece of Maccacuba wood are naturally occurring. I like the effect and think it is worth pursing in the future.

Vanilla Sky | 1′-0″ h, 2′-7″ w, 1″ d | Maccacuba | Inquire.

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Contacting Harry

I'm mostly here, sometimes there. I get around to galleries, shows and events, SOFA hopefully always, and enough international travel to keep a smile on my face. But you can always reach me! Question? Price Inquiry? Studio Visit?
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Webmail: Go to our form.
Phone: +1 505-795-8937

Collectors

Whether you are an avid collector of glass or wood ... or just love sculpture, I am pleased you are here. I invite your reactions to and impressions of my work. And, if a piece calls to you, please be in touch.

Contact: Go to our form.
Phone: +1 505-795-8937