Down Force
Down Force : like Up Draft, is also a mobius band – this time 25 feet long and sculpted to counter the skeptics!
Down Force | 1’-10” h, 10” square | Basswood | SOLD
Collected Wood Index
Gabriella
I am humbled to have been commissioned and entrusted with this baptismal font project, blessed with the inspiration for its creation, and rewarded by the response of the donors, ministers and congregation to its grace, power & function.
Gabriella | 3′-2″ h, 2′-4″ w, 2′-6″ d | Russian Hard Maple, American Black Walnut , Hammered Copper Baptismal Bowl | Commissioned
Pompeii and Raven’s Peace
Pompeii : The shape of the “blank” and the character of the wood significantly dictated its final form. I burned nothing. The piece accomplished that dark-edged affect all on its own.
Pompeii | 1′-1″ h, 6″ diameter | Distressed White Oak Burl | Inquire.
Pompeii and Raven’s Peace Read More »
Ra
Ra : Ancient vessels that were produced around the Mediterranean rim especially captivate me.
Ra | 11″ h, 7″ diameter | Maple Burl | Inquire.
Pagoda
Turned and sculpted Cherry Burl Turned, then sculpted in cherry burl, I found the raw piece on a waste pile of a logging project near Boone, NC. The same pile revealed another cherry burl for my future works that I worked into Amphora. IN THE PRIVATE COLLECTION OF GAYE GRAVELY POLLITT The form, as with most
Up Draft
Up Draft : One night I dreamed about a pile of ribbon being lifted vertically by hot air. It was a fluid movement like lava being shot up from a volcano.
Up Draft | 2′-0″h x 1’-2″w | Swiss Alpine Linde (Basswood) | SOLD
The Phoenix
Bringing new life I found this piece of distressed curly white oak burl being used as a wheel chock underneath a pickup truck on a logging project in Madison County, North Carolina. It was covered with mud and embedded with sand and rocks. Despite its condition, I recognized potential in the wavy lines that were
Laughing Waters
Microbial Beauty While I was hiking in Hunterdon County, N.J., I spotted this piece of spalted maple on the forest floor. Spalting results in a trail of carbon left when microbial action begins the decaying process in many woods, especially maples. It appears as black or brown lines or patches. Spalted woods have long been
Wind Drift
Negative strength My aim with Wind Drift was to limit size and, therefore, the amount of action. I wanted to concentrate on a smaller space and intensify the visual impact of only a few innate natural elements. I like the effect and feel a good sense of action and drama. I incorporated a higher percentage than is
Desert Bloom
Flowing out of the desert The wood for this piece comes from the stump of an unknown species of ornamental tree/bush that a friend gave me from his property in Clearwater, FL. Areas of the sculpture have purple hues. This a relatively uncommon result of mineral deposits in the soil. The three arms emanate from
Splash Dance
Splash Dance : For an amorphous mass of maple burl, the question “Should I be a lathe-turned bowl or a sculpture?” remained unanswered for 15 years. Finally, the answer became “Yes.”
Splash Dance | 1’-7”h, 1’-3”w, 1’-0”d | Maple Stump Burl | SOLD
Gaia
Gaia : This piece attempts to capture the concept of everything as a single living organism, all interconnected & interdependent, and at the same time acknowledges that we are connected to something larger.
Gaia | 3′-2 ” h, 1′-10″ | American Black Walnut | Inquire.
Wind Swept
A re-birth Hiking near Ken Lockwood Gorge in Hunterdon County, N.J., I found this piece of tulip poplar that had been bent over significantly by a small tree that had fallen across it. Wind action on the two trees caused continual diagonal abrasion. Simultaneously, the poplar’s attempts to grow and heal itself produced both the
Escher Tide
Escher Tide : This wall sculpture is named in his honor and sculpted with the intention of capturing the essence of Escher’s work in three dimensions. Have fun with it!
Escher Tide | 2’-4” h, 1’-0” w, 2” diameter | Sisso | SOLD
Cliff Dwelling
The deep penetrations and shelves of this burl wood sculpture are my abstract interpretation of the cliff dwellings created by the American Southwest Anasazi Indians. Come see how well you think I did.
Cliff Dwelling | 1′-4″ h, 1’-7” w, 12″ diameter | Apple Stump Burl | Private Collection of Harry Pollitt