In the emerging stages, my first cast glass wall sculpture was a whole new process for me. In wood, a wall sculpture is a familiar and enjoyable form. Yet, at first, it felt “weird” in wax. I had to become acclimated all over again to designing without the wood grain. There seemed now to be no point of beginning.
Coriolis| 1′-3″ h, 2′-6″ w, 1-1/4″ deep | Kiln cast crystal | Pale Cobalt Blue | Inquire
Trapeze : Designing Trapeze was as much presenting Nature’s inherent beauty as it was my melding with it. Hanging as a wall sculpture, the piece is oriented as the trees stood, lower trunk at bottom, upper limbs spreading at top.
Trapeze | 18″h, 14″w, 3″d | Crotch Burl Walnut | Wall Sculpture | Inquire.
Wave Length : Ordinarily my work is done in complete isolation. Now, all of a sudden, I was setting up a temporary studio in a corner of a custom furniture company in a foreign country.
Wave Length | 2′-2″ h, 4′-3″ w | Swiss Walnut | Wall Sculpture | Inquire.
Flug Ober Muotatal : The negative space nearly equals the positive. My intention was to give an overall sense of flight, using the upswept delta, as if a bird was standing with its wings raised upward.
Flug Ober Muotatal | 3′-10″ h, 3′-3″ w | Swiss Cherry | Wall Sculpture | Inquire.
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Negative strength My aim with Wind Drift was to limit size and, therefore, the amount of action. I wanted to concentrate on a smaller space and intensify the visual impact of only a few innate natural elements. I like the effect and feel a good sense of action and drama. I incorporated a higher percentage than is
Escher Tide : This wall sculpture is named in his honor and sculpted with the intention of capturing the essence of Escher’s work in three dimensions. Have fun with it!
Escher Tide | 2’-4” h, 1’-0” w, 2” diameter | Sisso | SOLD
Confluence : This wall sculpture was my first attempt at creating a three dimensional piece of art depicting my instinctive design pattern.
Confluence | 2′-2″ h, 4′-5″ w | Teak | In the private collection of Harry Pollitt
