Cherry

Morph XIV

Morph XIV takes elements from my previous works and becomes a cantilevered, curl-over wood sculpture, as well as a mobius. Unbeknownst to me at the time, it would be part of my inspiration for one of my future glass sculptures, Ode to Morph.

Morph XIV : 1′-4″ h, 10″ w, 6″ d | Black Cherry | Inquire.

Morph VII

Slender, open front curl and up-swept spire makes a real statement for the size of this Black Cherry wood sculpture. I borrowed some lines from two previous sculptures in the Morph Series…but since it’s my work, I do not feel guilty of plagiarism. You decide.

Morph VII | 1’- 2” h, 7” w, 5”d | Black Cherry | Inquire.

Morph VI

Morph VI : The lines, movement and proportions just worked so well together. This was another difficult piece to visualize and execute. A real fun challenge.

Morph VI | 1’- 4” h, 10” w, 6” d | Black Cherry | Inquire.

Pagoda

Turned and sculpted Cherry Burl Turned, then sculpted in cherry burl, I found the raw piece on a waste pile of a logging project near Boone, NC. The same pile revealed another cherry burl for my future works that I worked into Amphora. IN THE PRIVATE COLLECTION OF GAYE GRAVELY POLLITT The form, as with most …

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Flug Ober Muotatal

Flug Ober Muotatal : The negative space nearly equals the positive. My intention was to give an overall sense of flight, using the upswept delta, as if a bird was standing with its wings raised upward.

Flug Ober Muotatal | 3′-10″ h, 3′-3″ w | Swiss Cherry | Wall Sculpture | Inquire.

Wind Drift

Negative strength My aim with Wind Drift was to limit size and, therefore, the amount of action. I wanted to concentrate on a smaller space and intensify the visual impact of only a few innate natural elements. I like the effect and feel a good sense of action and drama. I incorporated a higher percentage than is …

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