Awakening
Awakening, re-awakened. Taking a higher than usual risk, I re-sculpted the original version of this finished cast glass piece. Now that it’s completed and I’ve relaxed…I’m pleased with the outcome.
Available Glass Index
Transcendence
Despite the years, my enormous effort and, at times agony, I ask “Where did you come from?” I recognize my newest glass sculpture would not exist without me. Yet, I know fully, it is detached from me. It is its own entity. Come meet Transcendence.
What’s Math Got To Do With It?
What’s Math Got To Do With It? was inspired by Pinnacle. It started out simple enough, a top-down approach. Do that spire on top. Then get the flow just right.
Pinnacle
Lots of descriptors fit my newest cast glass sculpture…cantilevered, precarious, a challenge, jade green. What it cannot call itself is “meant to be.” But six re-builds later, I call it pretty cool. Engineering disguised as aesthetics. And not easy to capture, so I’ll post a few extra photos shortly. Let me know what you think.
Coriolis
In the emerging stages, my first cast glass wall sculpture was a whole new process for me. In wood, a wall sculpture is a familiar and enjoyable form. Yet, at first, it felt “weird” in wax. I had to become acclimated all over again to designing without the wood grain. There seemed now to be no point of beginning.
Coriolis| 1′-3″ h, 2′-6″ w, 1-1/4″ deep | Kiln cast crystal | Pale Cobalt Blue | Inquire
Classic Moves
Classic Moves: Complex curves, planes, lines all complementing and in opposition to each other. All are elements of architecture & engineering. And, so, the structure is the design and the art is the structure.