My unsurpassable Artist Residency at Buffalo Creek Art Center in Nevada last summer spoiled me forever! Come take a peek of my six-week home on the 34-acre property snuggled against the Sierra Nevada mountains, squirreled away in comfy accommodations, working uninterrupted in a fabulous sculpture studio. And tell me if you think I did good work.
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Climbing right turns. Tumbling loops. Outside banking descents. It’s a Pollitt Small Treasure called E-Ride. It’s a roller coaster path in kiln cast, fuchsia-colored glass.
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As though billowed by the wind, Mainsail races to join Pollitt Small Treasures ensemble. An apricot-colored glass sculpture, the “mast” reaches 1′-2” high, with luminosity that looks like it comes from the sun.
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A hyacinth color and dark edging produced by natural light gives this Pollitt Small Treasure the look of an aura. The 12” x 4”dia glass sculpture delivers quiet, but powerful drama.
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Pollitt Small Treasures is joined by Green Piece, an undulating, sweeping 1′-2″ high x 4″ diameter glass sculpture. Complexity of the design is simplified by a seldom-used Pollitt medium polish finish. Its kiln cast color is emerald green.
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Gentle curves in pale copper blue glass twist unexpectedly – and thus define sculptor Harry Pollitt’s distinctive style. Named Fantasia, the 1′-3″ sculpture joins the Pollitt Small Treasures ensemble.
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Dichroic glass is expected to change color in different light. Captiva, a new sculpture by Harry Pollitt, even surprised the artist with its dramatic color change. Come see his Surprising Small Treasure.
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Smaller Harry Pollitt sculptures. Smaller, but still complex. Complex, but not too complicated. Curvaceous, but not too many intersections. Introducing the new, but not unfamiliar style of Pollitt Studio Small Treasures.
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What’s Math Got To Do With It? was inspired by Pinnacle. It started out simple enough, a top-down approach. Do that spire on top. Then get the flow just right.
Learn more →Harry Pollitt’s latest sculpture is aptly named, Bashert. Improbable events and unexpected results surround the story of this kiln cast glass sculpture. The best explanation is that it was “meant to be.” Come read why.
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Pollitt celebrates a new gallery partnership with Adam Blaue Gallery, Cleveland, in time for SOFA CHICAGO at Navy Pier, Nov 3 – 6. New work will be featured. (Imagine shows “Red Shift.”)
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