Morph XIV

Morph XIV

Morph XIV takes elements from my previous works and becomes a cantilevered, curl-over wood sculpture, as well as a mobius. Unbeknownst to me at the time, it would be part of my inspiration for one of my future glass sculptures, Ode to Morph.

Morph XIV : 1′-4″ h, 10″ w, 6″ d | Black Cherry | Inquire.

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Morph XII

Morph XII

Morph XII : One aspect of my designs that I have not discussed much is exemplified in Morph XII. Asymmetry…which I personally define as comfortable unpredictability. It allows walking around this piece, and most of my other work, and seeing different things in the journey.

Morph XII | 1′-6″ h, 10″ w, 6″ d | Black Walnut | SOLD

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Morph XI

Morph XI

Morph XI embodies my favorite sweeps and sensuous curves, but it also displays a rather dramatic and extremely stylized human form. In the process, it violates the traditional “Golden Thirds” rule. But my roguish nature likes breaking rules.

Morph XI | 1′-6″ h, 7″ diameter | Bay Laurel | SOLD

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Morph X

Morph X

Morph X : I do love the outcome of the movement and tight undulations. It’s fun to allow your eyes to trace the edge-line along its one, continuous, unbroken curve.

Morph X | 11” h, 7” w, 7”d | Windshake Walnut | Inquire.

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Morph VII

Morph VII

Slender, open front curl and up-swept spire makes a real statement for the size of this Black Cherry wood sculpture. I borrowed some lines from two previous sculptures in the Morph Series…but since it’s my work, I do not feel guilty of plagiarism. You decide.

Morph VII | 1’- 2” h, 7” w, 5”d | Black Cherry | Inquire.

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Morph V

Morph V

Morph V : I purposely selected a wood whose grain and figure would not strongly distract from my intended design. That’s why I chose the wood I most love – walnut. Solid, straight-grained and unfigured.

Morph V | 10” h, 10” w, 7”d | American Black Walnut | SOLD

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Morph IV

Morph IV

Morph IV : A long vertical tunnel runs the entire length of the piece. Then it splits open and curls in on itself in a decreasing radius curve.

Morph IV | 1′-4″ h, 7″ dia | Cherry | In the Private Collection of Gaye Gravely Pollitt.

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Morph II

Morph II

Experimentation and not being afraid to take risks are key to pushing the bounds. Like in my windshake walnut wood sculpture, standing horizontal or vertical, provided risky trajectory challenges to “meet in the middle.”

Morph II | Vertical: 1′-6″ h, 1′-2″ w, 9″ d | Horizontal: 1′-2″ h, 1′-6″ w, 9″ d | Inquire.

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