Awakening
Awakening, re-awakened. Taking a higher than usual risk, I re-sculpted the original version of this finished cast glass piece. Now that it’s completed and I’ve relaxed…I’m pleased with the outcome.
InPortfolio
Transcendence
Despite the years, my enormous effort and, at times agony, I ask “Where did you come from?” I recognize my newest glass sculpture would not exist without me. Yet, I know fully, it is detached from me. It is its own entity. Come meet Transcendence.
Entwined
An early-morning wake up vision of intersecting and undulating lines becomes a 13″-high Pollitt glass sculpture that earns the title Entwined. Come see why!
E-Ride learning curves in glass.
Climbing right turns. Tumbling loops. Outside banking descents. It’s a Pollitt Small Treasure called E-Ride. It’s a roller coaster path in kiln cast, fuchsia-colored glass.
Green Piece
Pollitt Small Treasures is joined by Green Piece, an undulating, sweeping 1′-2″ high x 4″ diameter glass sculpture. Complexity of the design is simplified by a seldom-used Pollitt medium polish finish. Its kiln cast color is emerald green.
Captiva
Dichroic glass is expected to change color in different light. Captiva, a new sculpture by Harry Pollitt, even surprised the artist with its dramatic color change. Come see his Surprising Small Treasure.
What’s Math Got To Do With It?
What’s Math Got To Do With It? was inspired by Pinnacle. It started out simple enough, a top-down approach. Do that spire on top. Then get the flow just right.
Pinnacle
Lots of descriptors fit my newest cast glass sculpture…cantilevered, precarious, a challenge, jade green. What it cannot call itself is “meant to be.” But six re-builds later, I call it pretty cool. Engineering disguised as aesthetics. And not easy to capture, so I’ll post a few extra photos shortly. Let me know what you think.
Coriolis
In the emerging stages, my first cast glass wall sculpture was a whole new process for me. In wood, a wall sculpture is a familiar and enjoyable form. Yet, at first, it felt “weird” in wax. I had to become acclimated all over again to designing without the wood grain. There seemed now to be no point of beginning.
Coriolis| 1′-3″ h, 2′-6″ w, 1-1/4″ deep | Kiln cast crystal | Pale Cobalt Blue | Inquire
Classic Moves
Classic Moves: Complex curves, planes, lines all complementing and in opposition to each other. All are elements of architecture & engineering. And, so, the structure is the design and the art is the structure.
Oceania
Oceania: The creative process for this turned and sculpted piece was, not surprisingly, multi-stepped. I began by turning the rough exterior contour on a lathe and then drilling a 1 ¼” diameter hole into the top center.
Oceania | 5″ h, 8″ diameter | Bark-edge Maple Burl | Inquire.
Chocolate Twist II
Chocolate Twist II : The sense of drama in Chocolate Twist II comes from the contrast between the light colored sapwood and the older, darker interior of the tree.
Chocolate Twist II | 8″ h, 13″ diameter | Spalted Black Walnut | Inquire.
Charybdis
My first glimpse of what would become Charybdis was a tree twisted unlike any I had ever seen. I figured its contorted mass resulted from a tornado strike when it was just a sapling. It sported double back curves that are my stock in trade, and I very badly wanted to sculpt into it for its color and grain features.
Charybdis | 5′-2″ h, 2′-3″ w, 1′-6″ d | Osage Orange | Inquire.
Morph VII
Slender, open front curl and up-swept spire makes a real statement for the size of this Black Cherry wood sculpture. I borrowed some lines from two previous sculptures in the Morph Series…but since it’s my work, I do not feel guilty of plagiarism. You decide.
Morph VII | 1’- 2” h, 7” w, 5”d | Black Cherry | Inquire.
Moab
Moab : The more figured a piece of wood is, the simpler the design should be. The two should not be in conflict.
Moab | 2′-0″ h, 1′-4″ w, 10″ d | Bay Laurel Burl | Inquire.