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Harry Pollitt - jade green Pinnacle glass sculpture

Pinnacle

Lots of descriptors fit my newest cast glass sculpture…cantilevered, precarious, a challenge, jade green. What it cannot call itself is “meant to be.” But six re-builds later, I call it pretty cool. Engineering disguised as aesthetics. And not easy to capture, so I’ll post a few extra photos shortly. Let me know what you think.

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Harry Pollitt - cobalt blue Coriolis glass sculpture

Coriolis

In the emerging stages, my first cast glass wall sculpture was a whole new process for me. In wood, a wall sculpture is a familiar and enjoyable form. Yet, at first, it felt “weird” in wax. I had to become acclimated all over again to designing without the wood grain. There seemed now to be no point of beginning.

Coriolis| 1′-3″ h, 2′-6″ w, 1-1/4″ deep | Kiln cast crystal | Pale Cobalt Blue | Inquire

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Oceania, undulating, maple burl sculpture from bark-edge Maple by Harry Pollitt

Oceania

Oceania: The creative process for this turned and sculpted piece was, not surprisingly, multi-stepped. I began by turning the rough exterior contour on a lathe and then drilling a 1 ¼” diameter hole into the top center.

Oceania | 5″ h, 8″ diameter | Bark-edge Maple Burl | Inquire.

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Charybdis

My first glimpse of what would become Charybdis was a tree twisted unlike any I had ever seen. I figured its contorted mass resulted from a tornado strike when it was just a sapling. It sported double back curves that are my stock in trade, and I very badly wanted to sculpt into it for its color and grain features.

Charybdis | 5′-2″ h, 2′-3″ w, 1′-6″ d | Osage Orange | Inquire.

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Morph VII

Slender, open front curl and up-swept spire makes a real statement for the size of this Black Cherry wood sculpture. I borrowed some lines from two previous sculptures in the Morph Series…but since it’s my work, I do not feel guilty of plagiarism. You decide.

Morph VII | 1’- 2” h, 7” w, 5”d | Black Cherry | Inquire.

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